A watery extract from our photo book, Pathways.
Mount Asahidake, the highest point of this wild island, rose up before me in a great mass of black ash and eternal snow. The volcano hasn’t erupted for 200 years but the smell of sulphur still stings the nose. I stood on the edge of Sugatami Pond, one of many lucid pools that mark this marshland, and watched as the fog thickened around the slopes. The water at my feet was like glass, without crease or wrinkle despite the rain, almost mythical . . .
This week the Canada issue of Lodestars Anthology - officially released in the UK on October 18 - will be avalible through our online store. So we thought we'd celebrate by sharing some of the wild and wonderful images and illustrations that fill the pages of issue 6. Thank you as always to our truly spectacular contributors - the world is indeed filled with some rather talented beings. You can order the magazine here.
About the magazine: Canada is a land where lakes glow, mountains soar and island life prevails. Wild, rugged and unfazed by time, luxury resides in unexpected corners, cities delight and outdoor adventure beckons, for nature is indeed all around. You yearn to explore, to get lost, to reconnect with a pristine beauty so hard to encounter in the modern world. The seasons astound - from frozen winters to summer’s never-setting sun - while waterfalls carve canyons, rivers become frozen highways and people smile, aware of their heritage and all that this land has gifted them. You’ll find snow and maple syrup, art and architecture and a landscape both inspiring and eternal. Greetings from the Great White North.
Some featured destinations:
Clayoquot Wilderness Resort Fogo Island Inn Vancouver Toronto Montreal The flavours of Canada Cosman & Webb maple syrup Left Field Brewery Canoe North Adventures The Yukon in winter Northwest Territories Nova Scotia Halifax Lobster Boil Ontario wines The Canadian Rockies Prince Edward Island Calgary The Canadian
When putting together our Sweden magazine we were sent a wonderful collection of photographs from artists working across the world. However, with only 156 pages to fill, we couldn't find a home for every shot. So, we have decided to share some of the photographs we loved here - and we're sure they'll bing on a spot of Nordic wanderlust. To purchase the Sweden magazine, click here.
Photographs by Tom Bland, Tom Bunning, Tobias Hägg,Thomas Harrison, Louise Nordström Pettersson & Diana Pappas.
This week we launched issue 5, the Sweden issue, at the Swedish Ambassador's Residence in London. So, it seems like the right time to share a sneak peak of some of our Scandinavian content and say a mighty big thank you to the fab team at Visit Sweden, the Embassy of Sweden and of course Ambassador Nicola Clase. If we've learnt anything it's that few people are as generous and hospitable as the Swedes (and that they have a rather glorious country too).
The Magazine ...
Rich in coastal hideaways, ancient archipelagos and islands rising from the sea, Sweden has a fondness for the sublime. With remote restaurants challenging palates and expectations, hotels carved from ice and pathways draping her frontiers, this is a country of extremes. But its cosmopolitan icons, and cities famed for their food, flair and design, also set hearts aflutter. Seasonal splendour allows creatives to delight in the daring and while there is a sense of wildness, the landscape shaped by glaciers and blanketed in forest, solitude is easy to find. Visit this northern wonderland and you’ll soon discover that Swedish escapes are good for the soul.
You can order the magazine online here.
Some featured destinations (and people) ...
With our Italy issue set to arrive back from the printers next week, we thought it would be grand to a) give you a little sneak peak of what lies within the magazine and b) let you know where copies can be ordered.
For UK, EU and US shoppers (and for Australian's who are reluctant to wait an extra two months) you can order copies from:
For more patient Aussies and New Zealanders there is the subscription service offered by
Just click on the above names and you shall be taken straight to the relevant site.
Of course if you have any questions or are after back issues don't hesitate to get in touch be emailing firstname.lastname@example.org and we'll lend a helping hand.
While travelling upon Lake Garda for the Italy issue of Lodestars Anthology (out later this month) we first noticed the photographs of Simon Bray, who just so happened to be snapping the same subject as us. Drawn to his beautiful use of light, and ability to make this perfectly popular corner of Italy seem amazingly calm, we had to ask a few questions about his work ... and Italy of course.
What do you love about photography?
I have a desire to create images and often I won’t be able to rest until I’ve taken them, so in that sense, each image serves it’s purpose in feeding that personal need; it’s a scratch that needs to be itched, very therapeutic. At the same time, I know that each image holds a varying level of potential. I love that an image can evoke something in a person, a response or an emotion, that will be so vastly different to what I, as the photographer, see, or what anybody else might see in it. We’re all made up of a combination of our own history, cultural influences, our social upbringing, the places that we’ve been and the people that we’ve met. That can mean that an image that I’ve taken may mean absolutely nothing to you, but there might be one image, for reasons known or unknown, that you connect with, that sparks something, a thought or memory, or that you just enjoy visually because of the colours, tones, composition or subject matter. Each image has that potential power.
I’ve also been thinking about imagery and timescales recently. Photography is a long game. I’ll often think about the fact that the images I take may well outlast me, and that as much value as there is in viewing them now, I hope that the generations that supersede me will find them interesting in many years to come.
Can you remember the first photograph you took?
Not as such, although the first time I got really excited about an image was a photograph I took of a hummingbird hawk-moth in the French Alps on holiday. I was probably in my early teens and using my first 35mm film camera. Getting the film developed and looking at the print, and seeing that I’d somehow managed to capture it’s motion and movement felt quite incredible.
What inspires your work?
I’d like to say that each location I work in acts as the pure influence for the images I create, but I know that’s not totally true. I’ll certainly feed off the elements before me, but there are so many subconscious factors behind the decisions I make, if I’ve seen a similar image before I’ll need to decide whether I want to embrace that and create it for myself, or try something different. I suppose everything I read about photography, and all the images that I take in will influence my sense of how to portray subject matter in both potentially helpful or unhelpful ways. To a greater extent, it’s the light that will inspire me. I won’t often stop to make a landscape picture except for the fact that the light is particularly interesting, and my discernment for that is certainly something that has developed over the past couple of years and something I’m trying to encourage.
How would you define your style?
One of the most significant factors is space. Living in a city, I’m constantly yearning for greater physical space, so once I’m somewhere that I feel that greater sense of freedom, I can’t help but let that come through in the images, which often manifests itself in the form of negative space using sky or water. I was discussing this recently with a friend, how I won’t be proactively making decisions about an image as I take it. Previously, I will have taken a lot more time to consider the image I want before I shoot it, perhaps for technical reasons, or just slow decision making, but now it seems to come far more naturally and I’ll work quite quickly. I think that’s how my personal style will be encouraged, simply through the practice of taking images, although I still feel I need to slow everything down a bit! I’m trying to develop my understanding of how to create more concise images that dig deeper, to avoid simple surface level imagery and I’m sure taking more time to consider each image will aid that.
Does travel influence your work in any way?
Absolutely. I live in central Manchester, which really doesn’t provide much to feed my desire to create landscape images, so it’s almost a necessity for me to travel. I really savour the opportunity to explore a new location with my camera. There’s an excitement that comes with visiting a certain place in a certain season and capturing it in it’s current state, knowing that other photographers will visit later in the day, week, month or years later and see it in a completely different way. Landscapes evolve and the light makes all the difference. I’m not usually able to return on multiple occasions, but in many ways it’s a privilege to preserve a place on any given day through my images, it forces me to work with the environment I’m in and create in the moment, avoiding any preconceptions of what I’d like to create, which can be distracting.
What makes Italy such an interesting subject?
It’s a popular holiday destination for a reason! The combination of the the incredible food, weather and variety of scenery make it such a special place for me. The area surrounding Lake Garda is an alpine wonderland. Exploring the mountains and lakes was such a privilege, so many breathtaking views, and even though it was warm, everything was washed in this amazing blue light, probably the moisture in the air, it made for some stunning scenes to photograph. I’d recommend visiting in the off seasons in order to appreciate the true sense of space without the crowds of tourists, because there are some stunning small towns and villages, where I could just sit and watch the world go by for days with a glass of wine and some fresh pasta!
Has there been a particularly memorable project either past or present?
I’m currently working on my first long-term project, a collaboration with a Manchester based artist called Tom Musgrove. We’re visiting a selection of the most stunning locations across the UK, and each creating a piece for each location, which we’ll be exhibiting side-by-side at a show in the autumn. It’s taken nearly 2 years already, and it’s been great to visit stunning places that are only a few hours away. Our most recent trip to Glen Coe in Scotland was just incredible, the scenery, the light, the people we met, the conversations it sparked, the whole experience was very memorable. I also get to watch my work evolve, which is very important, but the most influential element has been the development of my relationship with Tom, the opportunity to discuss the discourse of our work, our varying methods and explore the motivations behind each piece we create. Tom takes his time on each trip to sketch, which has really forced me to slow down and appreciate the changing elements and light within the landscape.
What is your dream subject?
I don’t know if I have one at the moment, maybe that will develop over time. For now, any scenic location that I have the chance to explore with my camera in my own time would be a dream come true! Every commission I receive or project that I set out to do furthers my work, it’s a fresh challenge that I want to fully embrace. I still feel like I’m defining my practice and as a result, my style or imagery, maybe one day that will feel more concrete, or maybe I’ll just keep trying new things!
Issue 3, all about wonderful Australia, has gone to press. We spent most of Friday getting in the way at the printers (the rather lovely Taylor Brothers in Bristol) and snapping paper and ink. The magazine is now available to pre-order here and we can't wait to share it with you.
When you’ve got a touch of wanderlust you also tend to have a penchant for photography. And while you may adore your trusty Canon (I’ve nicknamed mine Persephone), it can be quite liberating to venture out with nothing but an iphone and semi-sendible shoes. It can be equally fun to post the spoils on Instagram, which is exactly what we’ve done. If you like the samples we have featured below why not try your hand at following us (by clicking here), there shall be suitable amounts of gratitude. If you’re into social media following we’re also Twitter fiends, just so you know. @LodestarsTravel
Welcome to Lodestars Anthology, a magazine for curious travellers who long to see, eat around, chat about and experience this big ol’ world of ours. Basically, we’re a magazine-meets-journal all about place, travel and exploration - one you’ll ideally like to keep atop a coffee table. Or filled with scribblings and safely stored in your suitcase.
We are independently published, distributed internationally and all set to explore the globe one country (or should that be one issue) at a time. With the first magazine due out in summer 2014 things are getting a little exciting around here.
So go on. Pack a bag, hit the road and get your discovery on.
Photo by Tommy Harrison.